Sunday, 17 March 2013

Wankr's on Grindr

Grindr is described as a location-based dating app for gay men, so basically it's a hookup/one night stand/dick pic app. There are over five million users worldwide who spend, on average, ninety minutes of their day browsing through profiles of other gay men who'd like to chat, meet or blow. To most gay men with the app it's a serendipity, but to me it's a nightmare.

Most gays think I'm stupid for hating Grindr, but it's just a glorified orgy. Not to mention it's full of pricks that are so picky in who they want to meet, it makes me want to vomit. Pretentious knobheads using the over-used phrase, 'no fems, no fats, no Asians'. Don't get me wrong, it can be great if you're single and want to find a potential dating partner, and I'm sure a lot of people have found love through the app and whatever. Unfortunately, the majority of people on there are looking for sex, and it creeps me out.

Curiosity has made me download this app so many times, shortly followed by me deleting it. When I decided to talk about Grindr on here I downloaded it and decided to open it in the heart of London's gay town. It took me sixty seconds to get someone's location to meet and have sexy time with (of course I didn't go). Me and my friend were scrolling through the profiles, sitting in SOHO Coffee Co. and saw taglines saying things like 'twink free zone', 'no fatties' and (my personal favourite) 'If your wrist is broken, don't even bother'. Call me old-fashioned, but I'd much rather go to a club and pull an absolute munter, than be a twat and have sex with a stranger that meets my tastes.

In my opinion, it gives gay men a bad name. Sex obsessed and happy enough to send a picture of their dong to a stranger. Of course I would never judge a person who meets for sex through the app, it's your life, and I know a lot of lovely people who use the app to find dates, or even just to chat. But it's not my cup of tea, although it is currently downloaded on my iPod. I guess it's just a source of entertainment for me. Here are some screenshots of some funny Grindr conversations about blow jobs.




Thursday, 14 March 2013

West End Weekend.

My lovely mother came to visit me last week, and when people come to visit me I become this raging tourist. On any other weekend, I would find eating a cheese and pickle sandwich on Piccadilly Circus a bit of a nightmare. But a relative is down, so it is a form of forced fun/torture. We went to see two shows, which were very different. I'm about to express my thoughts on both which I'm sure you'll find highly entertaining, *Sarcastic laughter*.

The first show I went to see was 'Billy Elliot' and it was fucking phenomenal. I went to see it 6 years ago, and it was the musical that got me interested in musical theater. If it wasn't for this musical, I probably would of thought Les Misérables was a bit shit. I am not shamed in saying that I cried a lot during this musical. I'm not sure why, but recently I've become this huge cry baby, or as some might say, a pussy. The show has the same story line as the film, so if you haven't seen the film (shame on you), here is a brief plot summary. The show is about a young gay boy who's not gay, but his friend is, growing up in a mining community in the North East of England during the 1980, when good old Margaret Thatcher (sarcasm) decided to take on the miners' union, and won. Which actually had a huge impact on UK politics, society and culture. The boy's name is Billy, and he wants to be a ballet dancer, but his 'lad dad' (good phrase, isn't it?) isn't happy with this, and needs to come to terms with Billy's talent. I won't go any further as I don't want to ruin it.

The songs in the show are pretty good, but not as good as other musicals like Les Mis or Wicked. It's the plot and the visuals which stood out the most during the performance. The use of contrast in this musical is amazing, with little ballet dancers and protesting miners singing about solidarity will certainly leave you in this goosebump/sobbing state, which will stay with you for at least another week. At one point I ran to the toilet, and came back to a giant effigy of Margaret Thatcher, maybe 20 or 30 feet tall. Underneath all that was about a dozen human-sized Margaret Thatchers. I thought I fell asleep during my piss and wondered into this, what surely had to be, the worst nightmare of my life. But it wasn't. Then it sunk in. I laughed.

Before I move on to the next show, I would just like to say that Billy's grandmother is a fucking legend. Oh, and I highly recommend this show. It's probably my favourite musical that I've seen (and I've seen a fair few).

Right. Oh God. The next show I went to see was Viva Forever. Like many a child of the 90s, my awkward years of being a confused, knob-head of a child were dominated by the Spice Girls, who probably defined my ongoing love affair with pop music. I heard the reviews were mixed by the fans and negative by journalists, but I did not let this get to me. In fact I was so excited about going to see Viva Forever that I had about 6 drinks before curtain-call. I was excited, optimistic and absolutely plastered. This certainly worked to my advantage, because looking back at the show, it was pretty crap, but I had a marvelous time. Never have I ever seen a theater so full of drunk people, that got up to dance at every opportunity possible.


The plot focuses on this girl named Viva who was in a girl band that was forced to split-up during an X-Factor-like show, leaving her on her own, trying to find herself, etc, etc. You can certainly tell that the musical is written by Jennifer Saunders, with a blatant Ab Fab consciousness, and in some ways, this makes the musical a bit better. Anyway I have mixed feelings about this musical and most of them are negative, so I'm going to make a bullet pointed list of what I learnt during this survival camp musical.
  • Musicals about being famous are as ridiculous/shit as they sound.
  • Props that appear from no-where and revolving things are always cool, but don't make the musical any better.
  • 'Headlines' is still shit.
  • 'Viva Forever' should never be tampered with, especially when it's a Spanish man with an acoustic guitar that's doing it.
  • Thongs are always funny.
  • 'Too Much' has always been a song about pubes after all.
That is it! I give Viva Forever a 4 out of 10 stilettos, and wouldn't really recommend it to anyone unless you are the worlds biggest Spice Girls fan and/or are absolutely wasted and want a good night out with your girls.

Tuesday, 5 March 2013

GIRLS ALOUD/TEN TOUR: A REVIEW

So I went to see Girls Aloud on Sunday and it was a pretty amazing night. Amelia Lily opened and she was pretty good at warming up the crowd. When she was announced as support act I was very happy, but like every concert I go to, she wasn't the reason I bought the ticket. The girls (ALOUD) opened up with 'Sound of the Underground' and it was absolute perfection. They finished with 'The Promise', which again, was absolute perfection. Here is a bullet pointed list of the other things I found good and what I didn't find so good.

THE ALOUD
  •  THE FUCKING ENTRANCE!!!!
  • THEY FLEW ACROSS THE AUDIENCE ON A HUGE 'GIRLS ALOUD' BANNER. Amazing.
  • Nicola Roberts .
  • Two words. Act Three. It included probably everyone's favourite Girls Aloud songs (Sexy! No No No..., Untouchable, On The Metro and Call The Shots).
  • UNTOUCHABLE!!!
  • Nicola Roberts.
  • They covered the much respected, cultural icon that is, Carly Rae Jepsen.
  • Something New was fucking mental.
  • Doing 'The Promise' choreography with some stranger.
  • BIOLOGY!!!
  • Nicola Roberts.
 THE NOT SO ALOUD
  • Nadine Coyle's accent.
And that's pretty much my experience summed up. Before I go to watch 'The Devil Wears Prada', here are some Instagram pictures I took during the show. You can follow me on Instagram here.


 BYE!